
So I found a picture of a pine tree and wiped out the background. I traced over it in Photoshop, creating a layer of green branches, then went over it again and erased the bunches of snow on its boughs. On white paper, this would suggest the image of a lot of white snow on green branches, doing it in that order. Similarly with the hill: I colored in the sky behind it and let the negative space tell its own story.
This was another non-denominational holiday card I could send out to everyone. I was pleased with the result and it was well received in a small Gocco community of enthusiasts. Seeing what they produced, however, made me really want to push the limits of what I was doing and break into entirely new ground.
The disadvantage of the Gocco to linocuts, however, is in reusing a print image. Linocuts are simply scrubbed down and stored indefinitely, while a Print Gocco stencil is nearly impossible to clean and reuse, in my experience. The set comes with a tube of what's supposed to be a cleaner, I guess to help break down the ink, but the frame is a flimsy cardboard that absolutely must not get wet or it falls apart. The easiest thing to do is just make a large print job of whatever you want to print, and resign yourself to never doing that one again (unless you create a new stencil and everything). Also, I don't look forward to the day it's impossible to find any flash bulbs for the device anywhere in the world. Print Gocco supplies are not being produced any longer--we're just using up what's already been made. That's why I'm not as uninhibited in experimenting with the device as I would be if resources were unlimited.
Which is unfortunate, because the Gocco really is a lot of fun.
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