
The kit comes with special fabric ink, mind you, so you've got to be careful when using this stuff: it's designed not to wash out. I got the slightest of daubs on a new Calvin Klein shirt, which was instantly transformed into a smock/work shirt.

Constructing the image for this shirt was a lot of fun. We have large dice-shaped candles so I got a couple close-up shots of them from certain angles. Next I set the camera on a tripod and posed as per my vision for the image, then directed my wife similarly. After that it was all Photoshop: I arranged the cropped images of us relatively near each other, enlarged the dice appropriately and turned them about until it looked much like we were holding them. Then I traced over the whole deal, trying to be mindful of "negative space" (a trick one picks up with linocuts) and printed this last out for my stencil.
I examined a few of my own shirts to find out where most images were positioned--I wouldn't want to start stamping blindly, only to have the first wearer bear us on their collarbones or stomach. It seems that most small images are positioned directly between the bottom seam of the armpits on a shirt, when lain flat. I set up a work table in the basement, cleared off some industrial shelving (each bar of which could allow a shirt to dry), and printed out shirts like a mad bastard. I discovered that much of my detail work from the stencil was lost, so if I print shirts again I certainly won't sweat any details. Gross images and big pictures are the order of that day.
What does this have to do with postal-related topics? Well, it's printing, so you could make a stencil of your own address and stamp it to a package in brown paper or covered in cloth, if you wanted to risk wrapping a package in cloth.
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