I've had reason, recently, to get back into making envelopes. I'm quite pleased to do so: I have a number of pen pals--some of whom are feeling quite neglected lately and so I thought I'd produce something a little special to begin to make up for my inattention.
Several years ago I picked up a packet of envelope templates from a local store, Lunalux, who in turn informed me they were made by another local crafts-person. I won't expound upon the potential environmental benefit yielded by purchasing locally produced craft supplies, but I was pleased to be part of an insular crafts-sphere, of sorts. The envelopes I made from these templates were so admired by one of my pen pals, a DJ in Madison, that she requested a kit of her own, which request I fulfilled.
The templates come in many sizes for different functions. Many are suitable for posting in the mail and may handily travel around the world, depending on the quality of paper you use. Others are a little more intricate or awkwardly sized for postal mail and would better accompany a gift or else might be handed off in person. I prefer those envelopes which lend themselves to being mailed, and I'm careful to outfit them for optimal postal travel: stout paper, all flaps and corners sealed flat, judicious application of stickers, &c.
These pictures are of my personal favorite template, a capacious accordion-sided envelope. I love it because it looks fairly elaborate, hearkens to the classic accordion folder, and permits quite a bit of storage. Also, as pictured, the broad front has enough room for these particular Red Horseshoe address labels as well as postage--not every envelope can say that, not until you start talking to large business envelopes. (Note: lovely though the labels are, their adhesive gum is weak and useless on its own; with the application of Elmer's glue stick, however, it becomes a sovereign bond.)
With this iteration, just as a little quelque chose, I tried out a manual airbrush/paint spatter, I guess you'd call it. It's a simple little device, basically a long, thin metal tube you dip into ink or thin paint/dye, then blow in the other end to spray it upon your paper/canvas/surface. I've never used it before but bought it several years ago with the desire to practice at it. Now I've finally used it and I'm not sure what caused the large globs of ink (I had the foresight to choose a grey ink rather than something darker and less forgiving), whether a finer spray might be achieved with a thicker--or thinner--liquid or whether I'm just doing it wrong, somehow.
So, there we are. I've made four of these bad boys: one will stay in Minneapolis, one will fly out to Turkey, and the other two? I'm not sure now what will happen to them, where they will end up.